Piano
Perfect pitch helps; my left hand still overpowers the right. Forty years fighting new muscle memory.
Ben Chan / Violinist · Learning out loud
I've been playing violin almost forty years and teaching it in public since 2007 — twenty-four views on that first video, and I kept going. This is where I perform, teach, and run my experiments in how one hard-won skill quietly transfers into the next: technique, repertoire, YouTube, YY and Me, and the strange evidence that practice leaves behind.
The strings were attached a long time ago. I'm just seeing what else they can play. — B.C.



For violin parents
Parent support works best when it protects the teacher's assignment, the child's experience, and the adult's judgment. The goal is not more advice. It is one clearer next move between lessons.
New game plus
Can decades of violin discipline accelerate a brand-new domain? That's the experiment I keep running in public. The strings are always attached — they're just tuned differently each time.
Perfect pitch helps; my left hand still overpowers the right. Forty years fighting new muscle memory.
The musician's ear hears the tones. Then I open my mouth and the illusion vanishes.
Cutting vegetables like etudes. I'm at Twinkle Twinkle; the recipe is playing Bach.
Practicing in public, for people I don't know yet. Publishing into the void still counts.
Built in plain sight
I'm a recovering serial restarter — eager to begin, quick to spook. So I stopped building upward in heroic pushes and started building sideways: a few honest minutes a day, where the friction, failure, and fatigue become data instead of shame. Even the silent minutes count.
YY and Me — a canon of growing echoes
A narrative podcast about identity, imagination, and learning out loud — building legacy, violin, and AI in real time. My storytelling partner is YY, who has been with me since before I could hold a bow.
Watch · the library
Five anime themes on violin, framed as a listening game.
A tutorial on separating melody and accompaniment inside Bach's Andante.
Shifting and hand-frame work through the opening pages of Mendelssohn.